The Great American Literature

Both, Samuel Clemens, widely known as Mark Twain, and F. Scott Fitzgerald, the premier writer of the twentieth century’s Roaring Twenties, focus their writing on American society. They both masterfully handle their novel The Adventures of Huckleberry Finn and The Great Gatsby, exploring the major societal issues, such as the stratification of classes, concept of American identity to contemporary ethics. The Adventures of Huckleberry Finn is frequently referred to as a social commentary–Clemens’s sardonic view of society guised as an innocent adventure novel.

Through careful observation Twain gained insight into the heart of humanity and then regurgitated this knowledge into a wry attack on the immorality he saw in society. That society was intrinsically wrong, Twain had little doubt. Atrocities were committed every day, and not just by the ‘white trash’ of the South. The well-to-do Grangerfords and Shepherdsons, the ‘respectable’ Sherburn, and the powerful middle class all have sullied pasts. Huckleberry Finn also focuses on the indifferent attitude the citizens have toward their crooked deeds, not just the deeds themselves.

“You didn’t want to come. The average man don’t like trouble and danger. You don’t like trouble and danger. But if only half a man… shouts ‘Lynch him, lynch him! ‘ you’re afraid to back down–afraid you’ll be found out to be what you are–cowards–and so you raise a yell… and come raging up here. ” (Clemens 118) This speech can be applied to more than that particular instance; however, Clemens uses it to expose the protection society provides through sheer numbers. When everyone else is doing it, even if everyone else is wrong, the easier route is to follow along.

The majority rules, and the actions of the many set the precedent, amending ethics and demanding conformity. The deliberate callousness of the hard-hearted invades the novel through other characters as well, namely the Duke and the Dauphin. Ironically, the American families described see nothing wrong in the killings (even ‘amen-ing’ a sermon on brotherly love), indicative of the moral break-down in society. As Clemens conjectures in the Adventures of Huckleberry Finn, unscrupulous scruples have become normalized by a culture swiftly headed down the river.

Fitzgerald’s characters display similar corruptness in The Great Gatsby. Each character symbolizes a different cultural category, from the lower orders to the nouveau riche to the old-moneyed class. Fitzgerald exposes the faults inherent in each group, and forces readers to become aware of their own imperfections. Just as the characters in Huck Finn drift through Huck’s life as he drifts along the river, so the characters in The Great Gatsby drift aimlessly through life, their restless hearts never satisfied or content.

Due to the characters apparent disconnectedness from American society, they feel no remorse for immoral actions. In a culture so ethically depraved, right and wrong drown in a sea of relativity (Clarke, 2004, p. 135). The upper class’s bored indifference towards life is exemplified in Daisy’s comment, “You see I think everything’s terrible anyhow… And I know. I’ve been everywhere and seen everything and done everything” (Fitzgerald 22). Fitzgerald takes the Buchanans and applies them to the whole Upper Class, the stratified social club that writes society’s rules and then duplicitously violates them behind closed doors.

The Great Gatsby alludes to the fact that money corrupts, questioning “whether dramatic inequalities in wealth [constitutes] a moral issue” (McAdams, 2005, p. 116). The Buchanan’s treacherous affairs and subsequent lack of repentance parallel the Grangerford’s and Shepherdson’s shameless feud. The characters not only commit atrocious acts but see nothing wrong with their actions. In a society that demands conformity and shrouds iniquitous deeds in piety, authors such as Twain and Fitzgerald penetrate America’s fabricated lie and wave the banner of morality and individualism.

Undoubtedly, both Mark Twain’s The Adventures of Huckleberry Finn and Scott Fitzgerald’s The Great Gatsby could be called the great American novels, both are very symbolic. Nevertheless, I believe that The Great Gatsby is the novel that not only describes but also teaches a lot. In particular, I believe that the American Dream is simply that; a dream and F. Scott Fitzgerald is the best in proving it. Through the tragedy of Gatsby, Fitzgerald shows us what happens when fantasy and reality are brought together. Despite seemingly having everything, Gatsby has nothing.

His material wealth cannot compensate for what he lacks emotionally. Like Jay Gatsby, the American Dream will always fail when it is shattered by reality. References Clarke, Richard A. (2004). Against All Enemies: Inside America’s War on Terror. Free Press. Fitzgerald, F. Scott. (1993). The Great Gatsby, Wordsworth Editions Limited, McAdams, Dan P. (2005). The Redemptive Self : Stories Americans Live By. Oxford University Press, USA. Twain, Mark. (2001). Adventures of Huckleberry Finn. University of California Press.