John and Mable Ringling Review

China Now; De Voss Banners; Expressive Bodies: Works from the Ringing Permanent Collection; and Appalachia LISA. Some of the artwork displayed here are created by major artists like Diego Veil;squeeze, II Greece, Anthony van Deck, Paolo Everyone, Giovanni Battista Topple, Thomas Johannesburg, and Peter Paul Rueben. The collections that this museum illustrates provide particular themes and highlight particular time periods. The most celebrated items fall under the collection of European and American Art.

However, according to the museum, the collections are ever changing and not all pieces are available for viewing at all times. The Ringing museum is built around the styles of classical, medieval, renaissance, and baroque, and features rare antiquities as well as creations from various old and modern artists. Because museum collections and exhibitions display a variety of ethnic heritages and integrate multicultural media, they allow society to understand history and how art has changed as well as learn about culture diversity.

It is important to study the creativeness of different periods because the rough time, man’s view of the world and human existence has changed. Obtaining information on the artistic legacy of he past gives knowledge and value about the complexity of art and its relationship with history, religion, philosophy, and sociology. Furthermore, preserving creative works of art in museums also display the connections of different cultures and how they influence one another, changing, and shaping art into what it is today. Particularly, an artist known by the name Rueben was a master of Renaissance, Flemish, and Baroque style.

His art became famous in a time period known as the “Baroque Period” which occurred through the sass and sass. In one of his paintings, The Triumph of Divine Love, the baroque heartsickness are obvious with the use of vivid color, physicality, and overlapping figures. This painting is one of many, found in the premier collection Of European and American Art featured in the Ringing museum. Currently of Rueben, there is The Triumph of the Eucharist Series, which is a set of cartoons for tapestries that was commissioned by Isabella Clara Eugenia in 1625.

Isabella was a member of the royal Spanish family and wanted Rueben to paint 21 tapestries for her, 1 1 consisting of oil paintings on canvas so she could hang them in her palace. This series relates to the elaboration of the Eucharist, explores scenes from the lives of the saints, and promotes the beliefs held by the Counter-Reformation throughout Europe. Providing that, Martin Luther set off a movement called the Protestant Reformation because of his criticisms of the Catholic Church.

As a result of this, the church attempted to clean up the corruption and clarify its teachings and beliefs. By doing so, the Counter-Reformation was established which then led to the Council of Trend. According to Brett and Kate McKay, “The Council of Trend declared that art should be used to explain principles by Ewing direct, emotionally persuasive, and powerfully designed to fire the spiritual imagination and inspire the viewer to greater piety’ (n. P. ). Moving on, this section of the paper will discuss two particular pieces in The Triumph of the Eucharist series.

The first work of art is The Four Evangelists. Related to the painting discussed in the following paragraph, this painting represents figures in motion. Furthermore, to gain an understanding of this painting and the time period around it, it is imperative to understand that the Catholic Church believed bread and wine represented Christi body and blood. In the painting to the far left is Saint Luke with his symbol, the ox. This beast symbolizes sacrifice because in the beginning of his Gospel, is the sacrifice of Zachary.

Next to Luke is Saint Mark, featured holding his Gospel under his arm and next to him, the lion that represents the resurrection of Christ. Saint Matthew in the green cloth and the angel are in the center of the piece where the angel points towards heaven, like Saint Thomas Aquinas in The Defenders of the Eucharist. To the far right is Saint John who appears to be the youngest of the group, and is looking up towards the eagle. His mannerism is supposed to capture his vision of the apocalypse. The cup he is holding in his hand with the snake refers to poison that John drank, in order to prove his faith.

While in the bottom of the painting are various symbolic objects that relate to the Gospels such as the cockleshell, cornucopia of fruit, and the dolphin. The second painting is The Defenders of the Eucharist made in 1625 by Rueben was done with oil on canvas. In this companion piece to The Four Evangelists, Rueben incorporated six doctors and a woman, all figures from early church history. On the far right is Saint Jerome dressed in a red robe, eating his translation of the Bible into Latin because that is what he is famous for.

In front of Jerome is a great, German philosophical figure named Norte, dressed in a cream colored robe. Then, in the center stands the Dominican monk, Saint Thomas Aquinas, holding a book of his writings and pointing towards heaven; this gesture can be compared to Saint Matthews’ in The Four Evangelists. While next to Saint Thomas, is Saint Clare who is seen holding a great monstrance. It is important to understand that women were not allowed to touch the monstrance. Furthermore, the features of Saint Clare are actually those of Isabella, the woman paying for the painting.